Fortnite for the damaged coda4/17/2024 The line "It's the schfif-schwifty" could be a reference to the Group X song Schfifty-Five.(With the only other exception of Ice T's quote "Shiiiiiit.I don't care about no earth blowing up." For the Damaged Coda encourages the listener to embrace their vulnerabilities, confront their inner demons, and find strength in the face of adversity. The usage of the word "shit" in this song was left uncensored, even though all most other instances of the word in this episode are bleeped out. While the song’s meaning ultimately depends on the interpretation of the listener, it can be seen as a reminder that healing and growth can come from even the most painful experiences.It was viewed by General Nathan as a failure, but The President said it was their only hope. This song was unanimously acclaimed by the viewing Cromulons and the performance of this song led Rick and Morty to success, making them returning stars on the TV series Planet Music. Netflix’s “Icarus,” about Russia’s Olympics doping scandal, won best documentary feature in 2018, after the company bagged its first Academy Award in 2017 for docu short “The White Helmets.” Also in 2017, Amazon Studios banked three Oscars, which stand as its only wins to date: “Manchester by the Sea” won for actor (Casey Affleck) and original screenplay and Asghar Farhadi’s “The Salesman” won for foreign language film.It's schwifty time today Critical reception Origin 'For the Damaged Coda' was released by Blonde Redhead on the album Melody of Certain Damaged Lemons, which was released on June 6th, 2000. In 2019, Netflix’s big winner was Alfonso Cuarón’s “Roma” - which picked up three Academy Awards, for directing, cinematography and foreign language film - and it also won in the documentary short category for Rayka Zehtabchi’s “Period. 'For the Damaged Coda' is a song by indie rock band Blonde Redhead which came to prominence after it was used in an episode of Rick and Morty as the theme for the 'Evil Morty' character. Wolfe’s “Ma Rainey’s Black Bottom.” In 2020, Netflix won two Oscars (Laura Dern for supporting actress in “Marriage Story” and “American Factory,” produced by Barack and Michelle Obama, for documentary feature). In 2022, Netflix landed just one Oscar: Jane Campion’s win for directing “The Power of the Dog.” The year before that, the company had the most Oscar wins among all studios with seven, including two each for David Fincher’s “Mank” and George C. Netflix’s single win at the 2024 Oscars came after it took home six last year, including for international feature film for “All Quiet on the Western Front” and its first animated feature film Oscar for “Guillermo del Toro’s Pinocchio.” (Emerald Fennell’s “Saltburn,” which Amazon acquired for Prime Video, did not receive any Oscars nominations.) The film, starring Jeffrey Wright, debuted on the MGM+ streaming service March 8. Meanwhile, at this year’s Oscars, Cord Jefferson won the award for adapted screenplay for “American Fiction” (which he also directed) from Amazon MGM Studios’ Orion Pictures. Apple scored another Oscar in 2023, for “The Boy, the Mole, the Fox and the Horse” in the animated short category. It also shelled out some $200 million on Ridley Scott’s “Napoleon” with Joaquin Phoenix in the title role, which was nominated for production design, costume design and visual effects and came away with zero wins.Īpple TV+ was the first streaming service to win best picture, in 2022 for “CODA,” which also snared laurels for Tory Kotsur (supporting actor) and Siân Heder (adapted screenplay). The community-run and developer-supported subreddit dedicated to. In 2020, his mafioso pic “The Irishman” for Netflix was shut out at the Oscars after receiving 10 nominations.Īpple is estimated to have spent $215 million on Scorsese’s three-and-a-half-hour “Killers of the Flower Moon,” starring Lily Gladstone, Leonardo DiCaprio and Robert De Niro. His only Oscar to date came in 2007 for “The Departed” (for director). “Killers of the Flower Moon’s” nominations included one for Scorsese in the best director category. But the best picture prize continues to elude the streamer as “Maestro” lost out to this year’s awards powerhouse, “Oppenheimer.” Nor has Netflix won in the lead actor or actress categories, coming up empty this year after four noms (Cooper and Carey Mulligan for “Maestro” Colman Domingo for “Rustin” and Annette Bening for “Nyad”). Since 2017, Netflix has now won 23 Oscars in all.
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